Deep down, I know I really shouldn’t like this painting half as much as I do. It’s really very wicked, blackly funny and very clever; it’s also slightly monstrous, which I think is why I like it. Of course, Time is nowhere near as bleak and gruesome as his famous painting of Cronos Eating his Children, but I think in its own way, it deserves to be centre stage a little more.
On the surface, Time is a portrait of a society lady who is incredibly elderly. She is accompanied by her maid, and there is a dark figure in the back, whom we will explore later. The lady is exceptionally well dressed, draped in white silks and lace and presumably her best diamonds. Behind her fan, you can tell that the maid is sniggering despite her skull like features. Yes, the lady who may once have been beautiful has decided that she will be beautiful again, by wearing finery that is outdated and probably unfashionable. The maid may have gone along with it as an opportunity to laugh at her betters – and it’s a salutary lesson for those of us who may occasionally risk harking back to our younger days and getting the punk/goth/rockabilly outfits out. What suited us when we were 17 may not necessary suit us when we’re 50.
Now, the character at the back – most art historians state that this is a personification of Time, which is very hard to disagree with (because of the title of the work) but because there is a very clear message about the effects of the passage of time. Alongside this analysis is also that this could be a personification of Death – he awaits us all and it is only the passage of time that separates us.
If your only taste of Goya has been his Black Paintings (which aren’t for everyone, even though I think they’re rather wonderful) this is a great example of his wicked sense of humour.