Walter Sickert’s name has often been linked with that of Britain’s most infamous serial killer – most recently by the efforts of Patricia Cornwell – but the only definitive link between the two is this painting, completed in 1907, called Jack the Ripper’s Bedroom. It was inspired by a room Sickert was lodging in, as his landlady at that time believed that a previous occupant was guilty of the crimes, although this has never been substantiated and the lodger’s identity remains unknown. It’s a suitably dark, gloomy room so it wouldn’t surprise me at all to find there was some truth in the idea.
It has to be said, though, that at this time Sickert was going through a phase of painting scenes linked with murders. Another contemporaneous work was the Camden Town Murders, finished in 1908, which shows a couple in a bedroom – she is naked in bed and he is fully clothed and sitting on the edge of the bed. It is unclear from my viewing whether they are killers or victims – or one of each. The painting’s alternative title, “What Shall We Do For The Rent?” doesn’t offer any clues either.
It is generally considered that the idea Walter Sickert was Jack the Ripper is a conspiracy theory based in a fanciful story that first became public in the mid-1970s. It is unfortunate that someone of Patricia Cornwell’s standing and intelligence feels that there is a foundation to this idea; particularly when it is not really substantiated by many other Ripperologists (for want of a better word). For my part, I’m merely happy that the Ripper is dead, which is about the only thing we can say about him with any certainty.